Essays
A Gothic Mirror: Reflections on Abjection in Frankenstein
A Gothic Mirror: Reflections on Abjection in Frankenstein
Seeing Double: The Spectacular Incomprehensibility of “Everything Everywhere All at Once”
Baby Keem the Poet? Makes No Matter
Baby Keem the Poet? Makes No Matter
Dayglow, Bedroom Pop, and the Introspectivity of Growing Up
Dayglow, Bedroom Pop, and the Introspectivity of Growing Up
Belfast and the Power of Escapism
Belfast and the Power of Escapism
Through the Eyes of Two Climbers: “Early Decision/Late Bloomer”
Through the Eyes of Two Climbers: “Early Decision/Late Bloomer”
This Is How I Saw Lulu Wang’s The Farewell:
This Is How I Saw Lulu Wang’s The Farewell:
Reading with K-Ming Chang, author of “Bestiary,” at The Nassau Literary Review’s annual festival
Inclusion Takes Center Stage at Literary Publishing Panel
“We Are the Bridge”: History as Prologue in Julie Dash’s Daughters of the Dust
“We Are the Bridge”: History as Prologue in Julie Dash’s Daughters of the Dust
Coloring Outside the Lines: The Secrets Maps Hide
Coloring Outside the Lines: The Secrets Maps Hide
The “Amadeus” Diptych
The “Amadeus” Diptych
Michelle Obama’s Passion for Children’s Nutrition Hits The Big Screen in Netflix’s “Waffles + Mochi”
Michelle Obama’s Passion for Children’s Nutrition Hits The Big Screen in Netflix’s “Waffles + Mochi”
The Gaze of History through William Logan’s “Fall of Byzantium”
The Gaze of History through William Logan’s “Fall of Byzantium”
Design is Thinking (A Million Times Over)</a>
Design is Thinking (A Million Times Over)
Subverting Your Own Voyeur: The Internalized Male Gaze in Broad City
Subverting Your Own Voyeur: The Internalized Male Gaze in Broad City
A Body Divided: A Review of Fatimah Asghar’s If They Come For Us
A Body Divided: A Review of Fatimah Asghar’s If They Come For Us
Creating Room for Ethnic Voices in the Culinary Conversation
Creating Room for Ethnic Voices in the Culinary Conversation
Bot Poetry: Engineering Randomness
Bot Poetry: Engineering Randomness
Identifying Calligraphic Genius
Identifying Calligraphic Genius
Faces of Catastrophe, Faces of Liberation: Fazal Sheikh’s Independence | Nakba
Faces of Catastrophe, Faces of Liberation: Fazal Sheikh’s Independence | Nakba
A New World Order: Exit West and the Evanescence of Migratory Life
A New World Order: Exit West and the Evanescence of Migratory Life
Questions on the Subject of Imitation: A Reflection on de Chaillé’s le Désordre du Discours
Questions on the Subject of Imitation: A Reflection on de Chaillé’s le Désordre du Discours
The Sound of a Face: Re-Encountering Portraiture in Mario Moore’s The Work of Several Lifetimes
The Sound of a Face: Re-Encountering Portraiture in Mario Moore’s The Work of Several Lifetimes
What We're Loving
What We’re Loving: New Staff Edition 2021
What We’re Loving: New Staff Edition 2021
What We’re Loving: Summer Break 2021 Edition
What We’re Loving: Summer Break 2021 Edition
What We’re Loving: Winter Break 2020 Edition
What We’re Loving: Winter Break 2020 Edition
What We’re Loving: New Staff Edition 2020
What We’re Loving: New Staff Edition 2020
What We’re Centering: Creators of Color
What We’re Centering: Creators of Color
What We’re Loving: Quarantine Edition
What We’re Loving: Quarantine Edition
What We Loved: 2010s Arts in Review
What We Loved: 2010s Arts in Review
What We Loved: 2010s Arts in Review
What We’re Loving: Back-to-School 2019
What We’re Loving: Back-to-School 2019
What We’re Loving: Back-to-School 2019